Scenarios of performances in dhow. Scenario of a theatrical fairy tale in the senior group. Shake Your Groove Thing - Alvin and the Chipmunks
Creative tasks for the theater studio in kindergarten And primary school
Murashova Natalia Yurievna Teacher additional education MBOU secondary school No. 58, Khabarovsk.Target: Theatricalization of the famous fairy tale in kindergarten.
Tasks:
- Adapt well-known fairy tales for short theatrical productions;
- To organize conditions for creative self-expression of a group of children;
- Develop improvisation skills among future KVN players.
Description: The idea to remake Russian folk tales for short improvisations came to me a long time ago. Just then, I was developing and testing my theater circle program for various parallels. "Golden Key", "Little Red Riding Hood", and "Scarlet Flower" went to the middle level, and I rewrote these fairy tales for elementary school. But, I think, in kindergarten they will be even more appropriate (you can slightly rewrite the lines in the Kolobok fairy tale, since I did it for grade 4). Somewhere else I had a fairy tale about Masha and the three bears ... but after years of prescription, the printout disappeared somewhere. I'll find it and post it later.
Such an impromptu theater will be useful to many: educators, teachers of additional education, leaders of the theater circle, animators and interested parents. It can be used at any children's birthday party, birthday celebration in the classroom, theater classes in kindergarten or elementary school, in all kinds of events dedicated to the week of the theater.
Progress:
Each participant in the action is given a sheet with one single phrase, which he will have to say every time he hears his "name" (role).
It is important to explain that you need to say your phrase each time in a different way: with different emotions corresponding to the situation.
It is extremely important to rehearse a couple of times in advance.
"HEN RYABA"
Characters:
Grandfather - "Old age is not joy"
Grandmother - "Youth is not life!"
Chicken Ryaba - "Where-tah-tah!"
Egg - "And I'm with a surprise!"
Mouse - “Well, they can’t do anything without me!”
THEATER - IMPROMTE (text read by an adult)
Grandfather lived (replica) and Baba (replica). And they had Ryaba Hen (replica). Demolished Hen (replica) Testicle (replica)- not a simple, but a golden Egg (replica). Grandfather (replica) beat-beat, did not break. Woman (replica) beat-beat, did not break. A Mouse (replica) ran, waved her tail ... Testicle (remark indignantly) rolled, fell and broke. Grandfather crying, baba (sobbing, says his line) crying, and the hen (replica) cackles. "Don't cry, grandfather (replica) don't cry baba (replica), I will lay you another testicle (remark offended). Not gold, but simple. And from that time the Hen Ryaba became (replica) every day by testicle (another egg runs out and says a line: And I'm with a surprise!) carry. And then two (second egg runs out: Me too!), or even three (another one runs out: Yes, we are all here with surprises!). But there were no gold ones among them.
All artists go to bow.
"KOLOBOK"
Characters:
Old man - "I want to eat!"
The old woman - "Where is my frying pan!"
Gingerbread man - "They won't catch up with us!"
Hare - "Jump-jump, and I'm hungry like a wolf." (possible in a vest, like an airborne officer)
Wolf - “Shnyaga shnyaga - common life. U-U-U-U" (possible with guitar)
Bear - "I'm the strongest here!" (the largest or, conversely, the smallest actor)
Lisa - "I don't eat koloboks, better give me mushrooms"
TEXT
Lived - were an old man (replica) with the Old Woman (replica). Once an old woman (replica) broomed the barn, scraped the barrels, kneaded the dough, baked Kolobok (replica) and put it on the window to cool off. Tired of Kolobok (replica) lie on the window and he rolled from the window sill - to the mound, from the mound - to the porch, from the porch - to the path ...
Rolling, rolling Kolobok (replica), and to meet him the Hare (replica). Sang Kolobok (replica) song and rolled on, only the Hare (remark offended) and saw him.
Rolling, rolling Kolobok (replica), and to meet him the Wolf (replica). Sang Kolobok (replica) song and rolled on, only the wolf (replica) and saw him.
Rolling, rolling Kolobok (replica), and to meet him Bear (replica bass). Sang Kolobok (replica) song and rolled on, only Bear (replica) and saw him.
Rolling, rolling Kolobok (replica), and to meet him Fox (replica). Sang Kolobok (replica) a song, but while singing, Fox (remark, rubbing paws) quietly crept up and ate.
Here the fairy tale ends. Who watched - well done!
"TEREMOK"
Characters:
Teremok (2 persons)“Come in, make yourself at home!” (holding hands)
Mouse - "I'm a mouse" (scratches behind ear)
Frog - "I am a frog" (jumping)
Hedgehog - "I am a four-legged hedgehog"
Rook - "I am a foreign rook - fenkyu very much" (flapping wings)
Donkey - "And I'm a sad donkey - before the elections and after"
Bear - "I'll crush everyone now!"
Text(adult reads, pausing for remarks)
Standing in the Teremok field (replica) He is neither low nor high. Here on the field-field Mouse (replica) runs, ran and knocks at Teremok. And the mouse became (replica) live.
Standing in the Teremok field (replica) He is neither low nor high. Here is a field-field Frog (replica) runs, ran closer and knocks. Mouse peeked out (replica) and began to call the Frog (replica) live together.
Standing in the Teremok field (replica) He is neither low nor high. Here is a field-field Hedgehog (replica) running, he ran to the door and knocked. And became a mouse (replica) yes frog (replica) call for (waving paws) to yourself Hedgehog (replica) live together.
Standing in the Teremok field (replica) He is neither low nor high. Here above the Grach field (remark important) flies, sank near the door and knocked. And became a mouse (replica), Frog (replica) yes hedgehog (replica) call Grach (replica) live together.
Standing in the Teremok field (replica) He is neither low nor high. Here on the field-field Donkey (replica) goes, he went up to the door and knocks .. And the Mouse became (replica), Frog (replica), Hedgehog (replica) Yes Rook (replica) invite Donkey to live together.
Standing in the Teremok field (replica) He is neither low nor high. Here is a field-field Bear (replica) wandering, he went to the door and roars .. Frightened Mouse (fearful response), Frog (fearful response), Hedgehog (fearful response), Rook (fearful response) and Donkey (fearful response) Yes, and jumped out of Teremok (fearful response). A Bear (replica) climb on the roof (hugging the "teremok" by the shoulders) and crushed Teremok (remark in chorus and in a dying voice).
Here is the end of the story! Every viewer is great!
Actors take a bow
V. SOLLOGUB "TROUBLE FROM A TENDER HEART" OR "WHAT THE HELL GUESSED TO SET UP IN THIS HOUSE"
Vladimir Sollogub's brilliant vaudeville has been on the stage for more than 150 years and is of interest to both inexperienced and adult viewers. Count Vladimir Alexandrovich Sollogub (1814-1882) is a well-known Russian writer, author of "secular" stories, essays, memoirs about Pushkin, Lermontov, Gogol and VAUDEVILEIES. This genre was the most beloved in Russia in the first half of the 19th century, and Trouble from a Gentle Heart is the most famous, first staged in 1850. The author is a brilliant connoisseur of the laws of this genre. In the end, virtue and justice always win.
VLADIMIR SOLLOGUB "TROUBLE FROM A TENDER HEART". VAUDEVILLE.
Characters:
Daria Semyonovna Boyarkina.
Masha, her daughter.
Nastasya Pavlovna, her niece.
Agrafena Grigorievna Kubyrkina.
Katerina Ivanovna, her daughter.
Vasily Petrovich Zolotnikov, farmer.
Alexander Vasilievich, his son.
EVENT 1
DARIA SEMENOVNA Ah, my God! Still no pink dress. Well
is it? The dress is ordered for this evening, and you will receive it tomorrow morning"
Here everything is so, everything is so. Such an annoyance: I would just beat someone! Nastya!
Nastya! Nastenka!
NASTYA I'm here, auntie.
DARIA SEMENOVNA. Well, thank God! Where have you been, mother? It's all in my head
nonsense, but there is nothing to think about the aunt; did you send to marchande
de modes?
NASTYA Sent, aunt.
DARIA SEMENOVNA Well, what about Masha's dress?
NASTYA Done, auntie
DARIA SEMENOVNA So why don't they carry it?
NASTYA Yes, auntie
DARIA SEMENOVNA Well, what are you grumbling about?
NASTYA(quietly) Without money, aunt, they don’t give; they say a lot
must.
DARIA SEMENOVNA What do you want to be rude to me, mother, or what? Here
gratitude: I took a round orphan home to her, I feed, clothe, and she
he still talks to me. No, my dear, I will not let you forget. What?
They brought crackers, huh? .. They are twirling ice cream "Huh?
are you standing still? You see, Mashenka has not yet combed her hair; give me
hairpins.
MASHA Here I would put rings on my forehead "like this" Mom, how do you like it
anything, but they won’t bring a dress - I won’t go out for anything; stay in my
room, I'll say sick. As you please.
DARIA SEMENOVNA What you? What you? Lost her mind! For you I make the evening, and
you will not be; would you like me to dance instead of you? We will have the most
first zheni" that is, gentlemen.
MASHA Yes! That's exactly how they'll go.
DARIA SEMENOVNA And why, mother, won't they go?
MASHA What are they doing here? After all, the ball is now better than yours;
I told you to postpone, but you want everything in your own way.
DARIA SEMENOVNA It's time for you to get married, Mashenka, otherwise with these evenings
my strength is lacking. Look, Prince Kurdyukov will be here today, try to
like it.
NASTYA Oh, aunty, he's an old man!
DARIA SEMENOVNA Nobody asks you. Well, what an old man, money at
him young.
Servant enters with a letter
Who is this from? "well" (with annoyance) Excellent, incomparable" Prince Kurdyukov
sorry, it can't be.
MASHA Well, what did I say!
DARIA SEMENOVNA And what, Mashenka, should I send for a pink dress? After all
there will be no prince.
MASHA send, of course, "What do you think? That I, because of your
I will go without a dress to an old man, or what?
DARIA SEMENOVNA Oh, Mashenka, at least you would be ashamed of people.
MASHA Yes, he is French, he does not understand.
DARIA SEMENOVNA Well, then I'll go for the money, I'll send for the dress.
MASHA It would be high time .. well, well, "go on.
DARIA SEMENOVNA So she raised a bride for herself - ruin and nothing more!
(Exits.)
EVENT 2.
MASHA(to the hairdresser) Here's another "so"! Nastya "Nastya" what are you talking about
think?
NASTYA So, about nothing, something sad"
MASHA What nonsense! Look, this hairstyle has stuck to me?
NASTYA Has stuck.
MASHA Very stuck?
NASTYA Very.
MASHA Right" Well, what are you going to wear?
NASTYA Yes, I'll stay like that, why should I dress up "no one will notice me.
MASHA You could at least tie a ribbon into your hair "There are a lot of old ones in my closet
tapes.
NASTYA No, why?
MASHA As you want.
ZOLOTNIKOV(behind the scenes) Is Darya Semenovna at home?
MASHA Oh, what a shame, man! (the hairdresser runs after her).
Phenomenon 3.
ZOLOTNIKOV Sorry" I scared someone here. (aside) Ah, this one
daughter. (Aloud) And the mistress is not at home, you see?
NASTYA No, sir, at home; I'll go tell her.
ZOLOTNIKOV Don't, don't worry; I just need you.
NASTYA Me?
ZOLOTNIKOV Yes; let me just take a good look at you.
Turn around a little, like this "incomparably" better than you and could not wish.
NASTYA Yes, I don't know you at all.
ZOLOTNIKOV Get to know me soon. What year are you?
NASTYA eighteen
ZOLOTNIKOV Great. Tell me, do you have suitors?
NASTYA No with.
ZOLOTNIKOV What are they, fools, do not look! Are you thinking about marriage?
NASTYA Sorry, I don't have time.
ZOLOTNIKOV No, you are not angry. I am Zolotnikov, the farmer. Heard
May be? A wealthy man, so my speech is a little harsh. A,
however, I take an active part in you; believe me, for you on purpose
came from Kazan to propose to you.
NASTYA You?
ZOLOTNIKOV Don't think that I'm talking about myself. First, me
fifty years; secondly, my physiognomy is far from attractive; thirdly, at
my wife is in Tambov. No, sir, I want to marry my son, and precisely, if
tell the whole truth, I would very much like to marry him to you. Of course
if you love each other. You don't love anyone, do you? Tell the truth"
NASTYA Nobody, sir.
ZOLOTNIKOV Well, don't like it. I will introduce my son to you. He is a kind little one.
The heart is only tender. Just give me your word that you won't be away from mine
offers.
NASTYA Listen, the word is not a joke: having given the word, you must keep it, and I
I don't know your son.
ZOLOTNIKOV So what? He's waiting here in the living room.
EVENT 4.
ZOLOTNIKOV E "yes" in any way here is the hostess! Ege-ge-ge, how it has changed!
Waist was in a glass, and now, thank you Lord "Daria Semyonovna,
do you recognize me?
DARIA SEMENOVNA(looking) Guilty, sir.
ZOLOTNIKOV Remember well.
DARIA SEMENOVNA Let me" No, I can't.
ZOLOTNIKOV Thank you, Daria Semyonovna. Let me ask you, do you play?
are you still on the piano?
DARIA SEMENOVNA And, father, where should I go?
ZOLOTNIKOV And remember, in the nineteenth year in Kazan "
DARIA SEMENOVNA My God, Vasily Petrovich!
ZOLOTNIKOV Az is sinful. Here is the time. Became a different person.
(points to the vest) There was nothing here - it appeared. (points to head)
There was a lot - almost nothing left. Darya Semyonovna did not recognize!
DARIA SEMENOVNA So God brought me to meet. Am I so old to you, father
I seem like you to me? Yes, I heard you got rich terribly.
ZOLOTNIKOV From grief, Darya Semyonovna. How you denied me, remember I
entered into business, into trading, to his misfortune, got rich and out of desperation and got married.
DARIA SEMENOVNA Out of persistence, right; and what are the fates here?
ZOLOTNIKOV There are things to do, but he brought his son.
DARIA SEMENOVNA Do you have many children?
ZOLOTNIKOV One son in all.
DARIA SEMENOVNA Married?
ZOLOTNIKOV No, still single.
DARIA SEMENOVNA I beg you to sit down. Nastenka, look, they are lit
Are there candles in the living room. Sit down please; what the hell were we talking about?
ZOLOTNIKOV Yes, about the son; I want to marry him.
DARIA SEMENOVNA Oh, be careful, Vasily Petrovich! In Petersburg
the girls are all good looking; and how they get married, it is immediately clear that upbringing
not that, not at all. I have a daughter, so I can boast.
ZOLOTNIKOV Yes, I spoke to her now.
DARIA SEMENOVNA And no! You spoke to my niece, an orphan,
which I keep out of mercy. I am a mother, Vasily Petrovich, ... but I will tell you that
my daughter was brought up like this, so prepared"
MASHA(backstage) Mom!
DARIA SEMENOVNA What, my light?
MASHA They brought the dress.
DARIA SEMENOVN And now, my friend; and such an innocent baby will shame.
ZOLOTNIKOV This is what I need. Sasha is my kind little one, only in
his head is still windy; told him he had two million"
DARIA SEMENOVNA Two million?
ZOLOTNIKOV Two million. So believe me, his heart is so tender,
as soon as he sees a skirt, he will melt; every day, then in love; what will you become
do! Well, for a prank it would be nothing, but in the summer, in Tambov, he decided to marry
on some intrigue. Fortunately, the hussar turned up, otherwise I would have been with him forever
cried. I see things badly: my son is with me to St. Petersburg, and to you, Daria
Semyonovna, I know from old memory that you will not refuse good advice; and you,
I heard daughter. Who knows? Maybe our children will meet, fall in love"
If not we, then our children, Darya Semyonovna, isn't it?
DARIA SEMENOVNA What an old thing to remember!
ZOLOTNIKOV He won't come back, really. Well, let's love the children"
Let me kiss your hand.
DARIA SEMENOVNA With pleasure.
ZOLOTNIKO And the hand has grown old; do you sniff tobacco?
DARIA SEMENOVNA For the eyes, Vasily Petrovich.
MASHA Mother, come here; how insufferable you are!
DARIA SEMENOVNA Now, now, my angel "I'll bring her to you now" Don't
be too strict.
PHENOMENON 5.
ZOLOTNIKOV Lord, what a change! I did not recognize "here's a lesson for you,
Vasily Petrovich "Thirty years remembered her with pleasure" imagined
her former beauty. And that's what made me want to come here!
Ah, the right is worse than a slap in the face,
How not to see each other for thirty years,
You will find an old woman in the ruins
Love is an enthusiastic subject.
Oh! Dasha! In previous years
We met with you not like that;
(With a sigh) Then you smelled the flowers,
Now - you sniff tobacco!
EVENT 6.
ALEXANDER(throws himself around his father's neck) Father, hug me. I agree"
be your way "I'm not marrying her" I like her, I like her very much. I
satisfied, I'm glad, I'm happy, prosperous" Father, hug me.
ZOLOTNIKOV Wait!
ALEXANDER No, hug me.
ZOLOTNIKOV Yes, listen!
ALEXANDER No, hug me: like this again. It's over, it's decided, I
I will do your will: I will marry her, and precisely with her, not with anyone else, but with
her! Here's an idea, here's the father" Hug me again.
ZOLOTNIKOV Yes, listen!
ALEXANDER Eyes, waist, hair "what kind of character" can now be seen. Father,
bless!
ZOLOTNIKOV Yes, get off, please" We made a mistake, it's not her.
ALEXANDER How is she not? She, she, she! I don't want her to be not her!
ZOLOTNIKOV Yes, I myself was mistaken: you think that I said there in the living room with
daughter"
ALEXANDER Well, yes.
ZOLOTNIKOV That's the thing, she's not a daughter.
ALEXANDER Why not a daughter? She was not born without a father and without a mother? ..
Is she someone's daughter?
ZOLOTNIKOV She is a niece.
ALEXANDER Doesn't matter.
ZOLOTNIKOV Yes, they tell you that she is a niece.
ALEXAND R Yes, even if she was an uncle, I still marry her! yours
there was a will" the will of the father is the law.
ZOLOTNIKOV Yes, I read you another.
ALEXANDER No, the father's will is the law!.. I don't want another.
ZOLOTNIKOV Don't make noise, they're coming here.
ALEXANDER So let them go, "tell them not to go.
ZOLOTNIKOV Just take a look.
ALEXANDER And I don't want to look.
EVENT 7.
DARIA SEMENOVN And here's my Masha, Vassily Petrovich; please love
to complain. (in ear) Hold on tight! (loudly) She's shy. (on
ear) Yes, sit down well. (out loud) Excuse her, Vasily Petrovich:
she is not a secular girl, she is all for needlework and books.
MASHA (in her mother's ear) Stop it, mama!
DARIA SEMENOVNA No, I tell her: "What are you, Masha, in your summer eyes
spoil, "in your summer you have to look for pleasure, have fun," and she told me
says: "No, mother, I do not want your worldly pleasures, what is in them"
Women's business is not to dance and not to flirt, but to be a good wife, gentle
mother."
MASHA Mommy, I'm leaving
DARIA SEMENOVNA Believe me, I gave her the whole household in her hands -
let him get used to it, free time plays music, draws "wherever you go
you have this head that you came without a teacher, you know, this
Apollo Velbedersky?
MASHA(out loud) Ripped off. (in his ear) Mommy, I'm tired of you!
ZOLOTNIKOV And here, madam, and my son. (to his son) Bow down!
ALEXANDER Don't want.
DARIA SEMENOVNA Very nice to meet you: it's your first visit
to us in St. Petersburg?
ALEXANDER Yes!
DARIA SEMENOVNA How long are you thinking of staying here?
ALEXANDER No.
DARIA SEMENOVNA Why is this so?
ALEXAND R So.
MASHA Ah, mother, your questions are not very modest: maybe they
unpleasant.
DARIA SEMENOVNA But where can I be able to speak with the young? That's your business
engage young people. Let's go, Vasily Petrovich; how many years
seen each other, there is something to talk about "(in ear) Let them get to know each other; without us
will be more free.
ZOLOTNIKOV Certainly.
DARIA SEMENOVNA And you, darling, manage here without me; it's time
get used to: today a girl, and tomorrow you yourself, maybe you will live in a house committee.
Everything is in the will of the Lord.
(kisses her forehead and speaks into her ear) Don't forget! Two million! (Aloud)
Let's go, Vasily Petrovich.
phenomenon 8
.
MASHA(aside) He seems to be unpolished at all. Ah, what a pity!
ALEXANDER(aside) Well, how can it be compared with that one! That eye
waist, hair" However, this decent one is so-so.
MASHA Do you want to sit down?
ALEXANDER No, why!
Silence
MASHA How do you like our Petersburg?
ALEXANDER(absent) What-o-s?
MASHA Petersburg do you like?
ALEXANDER Petersburg, right? Famous city!
MASHA When did you arrive?
ALEXANDER On the very day of magnetic lighting, deigned, of course,
hear?
MASHA Yes, I heard it, but I didn't see it."
Silence
Have you been to the Passage yet?
ALEXANDER How, just now, he ate hearth pies downstairs.
MASHA You like?
ALEXANDER Pies, right?
MASHA No" Passage.
ALEXANDER pleasant walk.
MASHA Why don't you sit down?
ALEXANDER Do not worry! (aside) Eyes, what eyes! Where is
I had eyes that I didn't notice her eyes!
MASHA We have a glorious opera this year.
ALEXAND R They say.
MASHA Are you a musician yourself?
ALEXANDER How, sir! I play a little.
MASHA On pianos?
ALEXAND R Mostly on the French horn.
MASHA A!
ALEXANDER What about you? (softening up)
MASHA I drink a little.
ALEXANDER Really? It is so pleasant! (aside) I don't know why she
I didn't like it the first time. She is very, very sweet "And what a manner
beautiful. (To her) I really don't know if I dare to ask you.
MASHA How?
ALEXANDER I say "I don't know if I dare to ask you..
MASHA What?
ALEXAND R I don't know if I dare to ask the first time, "Encourage,
Please.
MASHA(coquettishly) Why? What do you want?
ALEXANDER Dare I ask "for example" (aside) Yes, it's lovely, eh
not a girl" (to her) Be happy, please let me hear it.
MASHA Yes, we are waiting for guests.
ALEXANDER Have time.
MASHA I'm really out of my voice.
ALEXANDER Try it.
MASHA(flirty) Only for you" (going to the piano)
ALEXAND R (aside) For you, for me "She said for you" I told her
liked the "Yes, it's not a girl" charm!
MASHA Only you accompany, please; I have a new romance here.
ALEXANDER With pleasure (sits down at the piano)
MASHA
Tell me what's in the shade of the branches
When nature rests
The spring nightingale sings
And what does he express in song?
What secretly excites everyone's blood?
Say, say what's the word
Familiar to everyone and forever new?
Love!
Tell me what's in private
In thought, the girl wonders?
What a secret thrill in a dream
Does she promise fear and joy?
Call that disease strange,
In which there is eternal joy.
What can she expect? What does she need?
Love!
When from life longing
You, weary, languish
And, contrary to evil sadness,
At least you invoke the ghost of happiness"
What delights your breast?
Are not those unearthly sounds,
When you first heard -
I love?!
ALEXANDER(jumps up from his chair and runs to Masha) Oh, what a voice! What
for the vote! What feeling! What a soul! You drove me crazy; I" I'm delighted
I'm going crazy now if you don't let me hope.
MASHA How to hope?
ALEXANDER Don't you know anything?
MASHA No.
ALEXANDER you don't know that your old woman was in love sometime before
in my old man?
MASHA How about mommy too? That's what I wouldn't have thought. Yes, she doesn't tell me
talked about it.
ALEXANDER Yes, they never talk about it. Here, father, I invented
so that I would be on you "or you are for me. It's all the same" only it depends on you.
Well, in love, in love, totally in love. Well, how do you disagree, I
I will be the most miserable mortal.
MASHA So say it.
ALEXANDER Father wishes my happiness; he only thinks about me
happiness; Yes, and I wish myself happiness - who does not wish himself happiness! Only you,
maybe you don't want my happiness?
MASHA Forgive me" why?
ALEXANDER How? Do you want my happiness?.. Really?
MASHA Of course.
ALEXANDER So can I hope?
MASHA I depend on my mother.
ALEXANDER It's not about mommy, it's about mommy; you tell me about yourself
say "can i like you?
MASHA(cheeky) Why not?
ALEXANDER Marya "how about the father?
MASHA Petrovna.
ALEXANDER Masha! I happiest person in the world, I will become you
love, love, love like no one has ever loved before, and never will!
MASHA Yes, wait.
ALEXANDER Why wait, wait? This is hypocrisy; I do not want to wait; I
love you, we love each other, we will be happy; we will have children;
make of me what you will; order, dispose, only allow
prove my love to you.
MASHA You are truly a strange person. However, listen, today we have
dance night.
ALEXANDER Do you want to dance with me? Don't ask as much as I can.
MASHA All the same, only, you see, I don't have a bouquet.
ALEXANDER So what? What do you want a bouquet for?
MASHA It's in fashion: to have a bouquet in your hands" Don't you understand?
ALEXANDER No.
MASHA Well, I'll tell you: go for a bouquet, only from fresh flowers.
ALEXANDER Yes, where will I go?
MASHA Wherever you want: it's up to you. And I need to receive guests"
goodbye (holds out hand)
ALEXANDER(kissing her hand) What a pen!
What pens, just amazing!
I would be ready to kiss the century.
MASHA
Well, go ahead, while
Bring me flowers.
ALEXANDER
What kind of weirdness
What is the use for you in a bouquet!
Why do you need other people's flowers,
You are the best flower!
EVENT 9.
ZOLOTNIKOV Where are you crazy?
ALEXANDER Father, I congratulate you with a bouquet!.. Hug me! I will fulfill
your order "Your desire is the law for me! Yes! I will marry her" I
happy .. I'm all reborn "From fresh flowers.
ZOLOTNIKOV So what happened?
ALEXANDER How what happened? I'm in love at your command. Will
paternal - the law! Yes! It's up to you, I'll marry when you want, even today"
Parent, bless.
ZOLOTNIKOV Let me explain first.
ALEXANDER No, hug, hug like a parent .. That's it! It's over! I
marry her!
ZOLOTNIKOV Yes, who is on it?
ALEXANDER On her!
ZOLOTNIKOV On your niece?
ALEXANDER On the daughter.
ZOLOTNIKOV On Nastenka?
ALEXANDER On Mashenka, on my Mashenka, on Marya Petrovna. For all
she is Marya Petrovna, but for me Mashenka!
ZOLOTNIKOV But how did you tell me that you were in love with another, with the first?
ALEXANDER In the first? .. no! It seemed to me so; however, she
very, very, very nice girl. Only this you yourself, my father, to me
appointed, and besides, she sings "so she sings! Father, did you hear Grisi?
ZOLOTNIKOV No, I didn't.
ALEXANDER And I have not heard, so that's how he sings. Well, let's go!
ZOLOTNIKOV How are we going?
ALEXANDER Yes, we are going for bouquets, for sweets .. She wants this, she
ordered; well, take your hat - let's go!
ZOLOTNIKO Yes, go alone.
ALEXANDER No, I’m going alone: I won’t find anything; back now.
ZOLOTNIKOV Please explain at least.
ALEXANDER Dear, I'll explain everything. Don't forget that fate depends on it
of my life. Well, let's go.
PHENOMENON 10.
KUBYRKINA This is your pad, mother, of course.
KATE Boudoir, mother
KUBYRKINA Well, it doesn't matter, General's wife Akhlebova has exactly the same one;
Tell me how everyone lives in St. Petersburg!
DARIA SEMENOVNA Haven't been here for a long time?
KUBYRKINA Fifteen years; joke to say! I just have to admit
expensive for you.
DARIA SEMENOVNA Yes, not cheap.
KUBYRKIN And Pardon me, why don’t you take on "beef loin 34 kopecks!
Have you heard of it! Believer, she rented an apartment like we have in Tambov
the lawyer would not want to live "What do not start, such a fumble"
KATE Damn, mama.
KUBYRKINA Doesn't matter.
MASHA(to Katya) Is your dress sewn at home or in a store?
KATE Of course, in the store.
MASHA(aside) Lied; now you can see that at home. (To her) And where is the cape
took?
KATE In the passage.
MASHA Very nice.
DARIA SEMENOVNA Do you, Agrafena Grigoryevna, play cards?
KUBYRKINA Passionate hunter, mother, but not out of interest, but like that,
by small.
DARIA SEMENOVNA How much do you travel now? The balls have begun"
KUBYRKINA Unfortunately, my Katenka fell ill; it's good that nature
strong, recovered soon, otherwise the doctor was afraid that a recitative would be made.
DARIA SEMENOVNA Relapse, mother.
KUBYRKINA And, mother, relapse, recitative - all the same. Where is your
room, Marya Petrovna?
MASHA Here, on this side.
KUBYRKINA Ah, let me inquire.
MASHA Please.
KUBYRKINA Let's go, Katenka.
KATE I'll come now, mother; I'll just fix the curls.
EVENT 11.
KATE(alone in front of a mirror) How mannered this Mashenka is! What is she from
nose up? That's the importance of what lives in St. Petersburg. Am I worse than her? Well,
what? .. just nothing, just nothing worse.
I myself am seventeen years old,
And ask anyone
There is no better place in Petersburg
Kati from Tambov!
Against the ladies of others
I'm no worse!
I will become no less than them,
Narrower at the waist
Thick hair in a braid,
And besides, since childhood I
Learned all the secrets
female coquetry;
I know, loving pranks,
How to lie with your heart
How probably yourself
Make love
And my eyes and gaze
Forever playing tricks:
They will give you a smile
Then they will infuriate with ridicule.
I myself am seventeen years old,
And ask anyone
There is no better place in Petersburg
Kati from Tambov!
PHENOMENON 12.
ALEXANDER Here is the bouquet "I got it forcibly .. Here's another (drops everything) God you R
my! Who do I see? Katerina Ivanovna!
KATE Alexander Vasilyevich! Oh! (faints into a chair)
ALEXANDER She's sick" she's sick! I scared "This is for me" Help!
Help!
KATE Don't scream!
ALEXANDER woke up Katerina Ivanovna woke up!
Katya faints again
Fu, again a seizure; she will suffocate in a corset .. Are there any scissors
cut the lacing "Oh, by the way .. (takes hastily from the dressing table
scissors)
KATE(jumping up) Stay away! Do not touch! What do you need? Why do you
Here? It's not enough for you that you deceived me, that after all your promises,
assurances, you abandoned me, an orphan? Go, don't show your face to me!
ALEXANDER Here are those on! How am I still to blame?
KATE He asks "is he guilty?" Yes, you are a monster, not a man! You
Don Juan shameless!
ALEXANDER What is Don Juan?
KATE None of your business! Answer "explain your act. I really don't
I know how I'm talking to you. Well, please tell me "Do you live with us in
village "You pretend to be in love, look for my hand, and when I, how
inexperienced, defenseless girl began to feel inclined towards you"
ALEXANDER Please don't look at me like that"
KATE When I agreed to your offer, I entrust my fate to you,
you suddenly leave without saying a word, without saying goodbye, without even getting drunk
tea "like a thief for sure" (crying) Oh, I'm unhappy! What did I do?
ALEXANDER No, please, "No, please," Look at me
KATE Please"
ALEXANDER(aside) Fu you, the abyss "Prettier again" (To her) What,
I mean, I wanted to ask? Yes, let me ask you what you wanted from me
do?
KATE Like what "I thought that you would be my husband. Well, is it okay? Well
tell me after that, who do you look like?
ALEXANDER I look like a mother, "but that's not the point. What kind of husband did you want
me to do?
KATE What husband? Ordinary.
ALEXANDER Yes, how ordinary?
I would really like to know
Which husbands
A week after the wedding
Would hit, sinner, am I with you?
All in half for wives with husbands,
How will the Lord bless them?
But what about the husband, tell yourself
Hussar will share with you?
KATE What hussar?
ALEXANDER What? Don't know which hussar? But that hussar-repairer,
who visited you in the village!
KATE Yes, he is my brother.
ALEXANDER What brother?
KATE Second cousin.
ALEXANDER I know these brothers! Thank you for such a brotherhood; servant
obedient!
KATE you forget"
ALEXANDER No, on the contrary, I remember very well "Don't pretend - I'm all
I know.
KATE What do you know?
ALEXANDER I know that he wrote letters to you.
KATE Not true!
ALEXANDER that's great! I read it myself, and what kind of letters are these "" Angel
my, Katenka! "My angel" where do they study, hussars, to write such letters?
KATE So you're angry about it?
ALEXANDER Little, right? What else would you like?
Katya laughs.
Well, what are you laughing at?
KATE sorry, you're so funny!
ALEXANDER Who am I funny? No, I'm not funny, I'm offended" Can you
explain why you received hussar letters?
KATE There is nothing easier.
ALEXANDER Well, try and explain!
KATYA I don't want to.
ALEXANDER Katerina Ivanovna, please explain.
KATE You are not worth it.
ALEXANDER Katerina Ivanovna! I beg you, explain" do not be cruel.
KATE Well, then listen; Do you remember Katenka Rybnikova?
ALEXANDER what was your guest? Please, she is Avdotya.
KATE This is the older sister, and that other; these letters to her, I only
betrayed. He even wanted to marry her.
ALEXANDER How, really? Ah, Katerina Ivanovna! I'm a fool, a villain
wicked, slanderer! Torment me, beat me! Guilty without guilt! And for what
These hussars climbed into my head? Forgive me, Katerina Ivanovna!
KATE No, it's too late now.
ALEXANDER Katerina Ivanovna, are you innocent?
KATE Well, of course! And yet, as you wish.
ALEXAND R (kneeling down) Katerina Ivanovna, be generous,
don't make me die of grief.
KATE(crying) No! I'm a poor girl, I love hussars" Me every
can offend "I am destined to be unhappy forever - love forever yes
suffer alone.
ALEXANDER(on her knees) Katerina Ivanovna, forgive me.
KATE Will you be jealous anymore?
ALEXAND R Never, Katerina Ivanovna "only"
PHENOMENON 13.
ZOLOTNIKOV(at the door) Bah! What news is this!
Katya runs away
ALEXANDER Father, this is she, Katerina Ivanovna, Katya Tambovskaya! I
the monster of the human race hussars wrote letters to Rybnikova, wanted to marry
on Rybnikova, and she, my Katenka, loved and suffered me"
ZOLOTNIKO Yes, at least speak Russian.
ALEXANDER She suffered, father, but she loved for me.
ZOLOTNIKOV Yes, brother, you're out of your mind!
ALEXANDER Father, hug me.
ZOLOTNIKOV Get off, blockhead; crushed everything!
ALEXANDER No, I must, I want, I decided to make amends
crime "I am obliged to Katya; I cannot do otherwise: I am marrying
Katenka, on my Katenka.
ZOLOTNIKOV Yes, marry whom you want; you bored me at last. I'm giving you
a quarter of an hour to change my mind, and only there I order to be examined in the provincial
government and put me in a lunatic asylum. There will be no patience! Do you hear
Is there an answer in a quarter of an hour!
ALEXAND R Father! Hug only.
ZOLOTNIKOV Get off me you donkey!
PHENOMENON 14.
ALEXANDER(alone, walking around the room) No! Here's the position" Here's the position. I
I'm going to marry Katerina Ivanovna, that's decided; this is my sacred duty.. But
I asked for Marya Petrovna's hand; I excited her imagination" And what a girl
Marya Petrovna! Charm, ideal, reason death. , very much and I wanted to
to marry! Yes, here is Nastenka, niece, and it would not be bad on her
marry "That's the situation! They won't let you marry three, but not enough for one! Here
it's a tender heart! Here's what it brings! And then the priest with a knife stuck;
it was easy for him, after all, he married his mother, but what about me? Just killed
killed! Katenka, Nastenka, Masha; Nastenka, Mashenka, Katenka "What do I need
do? I'm dying in the bloom of years! (falls into a large-backed chair, so
it is not visible.)
EVENT 15.
DARIA SEMENOVNA I can't get enough of your Katenka, Agrafena
Grigorievna: in the full sense of the beauty!
KUBYRKINA Much mercy, Darya Semyonovna. Why don't you look at strangers! On
your Mashenka, I have tea, you won’t have time to stop looking. We were talking about her the other day
General Akhlebova. That's a girl, you can say that a girl!
DARIA SEMENOVNA She kept everything to herself, but did you raise yours at home?
KUBYRKINA At home, Darya Semyonovna.
DARIA SEMENOVNA Please tell me what tricks exactly in the big
she lived in the light of the ages .. and what modesty, how she keeps herself!
KUBYRKINA I’m already pleased, Darya Semyonovna, that she is with your
Mashenka got closer. Believe me, it's been a month since we arrived, and I
I find that Katenka won a lot. Yes, from whom to adopt, if not from yours
Masha? Here is an exemplary girl and what a bell-ohm!
DARIA SEMENOVNA Bel fam, you mean.
KUBYRKINA Yes, mother, it's all the same" Well, there's nothing to say, feast for the eyes
your Masha.
DARIA SEMENOVNA And do you think your Katenka is not fun to look at?
KUBYRKINA What manners!
DARIA SEMENOVNA What a bon-ton!
KUBYRKINA What a pleasure!
DARIA SEMENOVNA What a touch of conversation!
KUBYRKINA It is impossible not to congratulate
DARIA SEMENOVNA From the side you will rejoice.
KUBYRKINA I'm surprised she's not married yet! Suitors something, I think, and
can't be counted!
DARIA SEMENOVNA Yes, there is - fourteen generals got married.
KUBYRKINA(aside) Lying" just lying!
DARIA SEMENOVNA There were colonels and captains, the prince was alone. Only me
Mashenka is not bondage, let her choose herself. After all, she will have to live together, and not
to me. However, as a good friend, I can tell you a secret: today I
She spoke to her car.
KUBYRKINA Really? Here came a happy day, and I told Katenka
Today.
DARIA SEMENOVNA My daughter is marrying a rich man; yeah, that's not the point
a good person. You may have heard about Alexander Zolotnikov?
KUBYRKINA What? Here are the rubbish! My daughter is marrying Zolotnikov; They
engaged for a long time, and now they decided again.
DARIA SEMENOVNA No, excuse me... he immediately asked for Mashenka's hand in marriage.
KUBYRKINA No, not Mashenka, but Katenka.
DARIA SEMENOVNA Masha, they tell you!
KUBYRKINA No, sir, Katenka "Your Masha, of course, is a nice girl,
however, where can she compare with my Katenka! It's not very noticeable, though.
however, everyone knows that she is a little crooked.
DARYA SEMENOVNA How? Masha my crooked side! Do you have eyes
lopsided! I will order her to undress in front of you. Crooked-sided! That's great! Not
did you get it from the fact that your daughter is all on cotton wool?
KUBYRKINA what? Is my daughter on cotton wool? I have a wadded coat, not a daughter, my
daughter is not a salop. My daughter was born as she is, and she only wears a dress
for decency. She has no one to deceive.
DARIA SEMENOVNA Yes, and does not deceive; Zolotnikov for nothing that is not distant
mind, but not such a vulgar fool as to marry your daughter.
KUBYRKINA And why?
DARIA SEMENOVNA But because everyone knows that your daughter ran for
a hussar officer who laughed at her, and even abandoned her; and then poor
an orphan was slandered, who is not guilty either in soul or body. Noble
deed! Hussar himself told.
KUBYRKINA You dare say that to me.. You! And don't you think
everyone knows that your lopsided is in love with an Italian singer? Shame,
they say to look at her like she is sitting in an opera.. everyone laughs!
DARIA SEMENOVNA Do you seem to forget? I won't let you in
I command.
KUBYRKINA I won't go myself; and without you we will find, thank God, an acquaintance:
general's wife Akhlebova and better than you, may she find pleasure with me.
DARIA SEMENOVNA And I don’t hold back, mother, I don’t hold back!
KUBYRKINA Farewell, mother, I'll go for Katya. My leg is not with you
will!
DARIA SEMENOVNA Good riddance!
KUBYRKINA And your daughter will not marry our fiancé .. she will not!
DARIA SEMENOVNA Yours will sit in the girls!
KUBYRKINA I won't let you joke with me; my uncle is a senator, I will find
protect yourself! Leave as soon as possible so it doesn't get worse!
DARIA SEMENOVNA Yes, I tell you, "Yes, I tell you," yes, this is unheard of rudeness! Yes you
don't mess with me like that! Farewell, I would not see you for a century!
EVENT 16.
ALEXANDER(from behind the chair) there she is! Here she is! That's what she is!
One is crooked, the other is on cotton wool. One loves the hussars, the other the Italian" and both
They tell me I'm stupid! (running out from behind the chair) So no, not a fool! I don't
let me be fooled. I'll do it my way! I will choose the third, that is, the first,
not one or the other, but the third, that is, the first! Here she is, what kind of thing, here
she, here she is! (seeing Nastya) Yes, here she is! Wait, ma'am, let me
tell you two words.
NASTYA To me?
ALEXANDER Are you angry with me?
NASTYA For what?
ALEXANDER Well, well, admit that you are angry?
NASTYA Not at all.
ALEXANDER How! I showed you so much attention from the first time, and
then he turned to completely foreign subjects.
NASTYA So what!
ALEXAND R Let me first ask, do you have any relatives of the hussars?
NASTYA No.
ALEXANDER You don't sing Italian arias?
NASTYA I don't have a voice.
ALEXANDER What a precious girl you are! Nastasya "how about the father?
NASTYA Pavlovna.
ALEXANDER Nastenka! I solemnly offer my hand to you.
NASTYA Oh my god! Of course you are not healthy! Do not send for
doctor?
ALEXANDER You will be my doctor.
NASTYA Sorry, I don't have time" (wants to leave)
ALEXANDER(holding) No, decide first the fate of my life. Not
be embarrassed only; Tell me, would you be pleased if I married you?
NASTYA I wonder how you dare to talk to me like that. I'm poor
girl, but I will not allow cheeky jokes.
ALEXANDER Yes, please, I'm not kidding; I have a positive intention
marry you.
NASTYA Who told you that I should share this intention! Why are you
They took me to marry the first person I met? I know in Petersburg
rich suitors are not afraid of rejection, but for me there is much more in life
except for money. There, in the living room, they said now that you have two million, and,
I confess that on this occasion I heard so much that I felt disgusted.
However, it is not difficult for you to marry, just say the word "and the brides will come running
from all sides, and what I need is not a wallet, but a person whom I could
love and respect. Farewell!
ALEXANDER Nastasya Pavlovna! Listen to me.
NASTYA For what? You made a mistake in me: I'm not like the others "Where can you understand
the pride of a poor girl who, in the absence of other treasures, keeps
mental wealth? She will not exchange her soul for a luxury she does not need;
she can take pity and make her happy, because she values herself highly, but
never sell himself.
ALEXANDER So you refuse me, Nastasya Pavlovna?
NASTYA Decisively.
ALEXANDER And do you give up hope?
NASTYA Not the slightest.
ALEXANDER Listen, Nastasya Pavlovna, I am stupid, ridiculous, impudent, ignorant.
- whatever you want; only, really, I'm not a bad person. I have tender
heart; well, am I to blame; Well, believe me, I keep thinking how to get attached,
fall in love pretty, and then that's it! Soul something, soul something and whispers:
"Get attached, blockhead, get attached," - well, and here, as if on purpose, fate
teases. Now a hussar turns up, then some Italian, and I'm in the cold with
money! Well, what is this money to me, tell me yourself .. Everyone wants my money, but
me, no one wants me.
NASTYA(aside) He's really pathetic. (out loud) Look, don't
hurry up - you will find, maybe.
ALEXANDER Yes, I want you, Nastasya Pavlovna; you open my eyes. I
feel like a new person; take pity on my wealthy position.
NASTYA I told you my decisive answer. Rest assured that I
spoke to you out of conviction, and not out of empty coquetry. Don't be angry at
me; this lesson may be useful to you; when you get too forgetful
with some women, you will involuntarily remember that there are those who do not
only deserve, but even require respect.
(coldly sits down and leaves.)
PHENOMENON 17.
ALEXANDER Fu you, the abyss! It doesn't get any easier from time to time. Just now it was three
brides, and now none!
ZOLOTNIKOV(at the door) Well, have you made up your mind?
ALEXANDER Wait, wait"
ZOLOTNIKOV Whom to congratulate?
ALEXANDER Yes, with no one: refused!
ZOLOTNIKOV Who, Katya?
ALEXANDER No.
ZOLOTNIKOV Masha?
ALEXANDER Not really!
ZOLOTNIKOV So who is it?
MASHA(enters) Alexander Vasilyevich, what does this mean? Is it true that you
Did you propose to Katenka? Do you want to insult me? Only it's not like that
manage "I have a brother in the Caucasus .. You will not get rid of him. Hear
whether?
ALEXANDER I really don't understand what you want.
ZOLOTNIKOV here she is!
KUBYRKINA ( enters) She is already here, but what am I? I'll take it out, I won't leave
together. Marya Petrovna, I left a handkerchief in your room. Let
get.
MASHA(aside) How obnoxious! It came just in time! (out loud) Now
I'll bring
KUBYRKINA Sorry to bother you! (leaves)
KATE(enters) Alexander Vasilievich, what have I learned? you wanted again
deceive me: you are marrying Masha. It's too much" It won't work for you
for nothing - my second cousin will stand up for me, will fight with you on
pistols, kill, certainly kill!
ZOLOTNIKOV This one is good too.
DARIA SEMENOVNA(enters) So it is, she has already picked up a good fellow: and I
for what? Katerina Ivanovna, your mother is calling you.
KATE(aside) She came at the right time, so that she "(out loud) Where is she?
DARIA SEMENOVNA It seems to have gone here, I will take you (to the side)
I won't leave both.
ALEXANDER Hear, father, what a story.
ZOLOTNIKOV Be quiet!
NASTYA(walking across the stage) Ah, I thought you were gone.
ALEXANDER No, I'm going... I'm going." Nastasya Pavlovna, I'm in despair.
Kubyrkin, Katya, Masha, Darya Semyonovna run out of different doors and
rush at Alexander, patter and almost simultaneously.
DARIA SEMENOVNA No, it can't stay like this!
KUBYRKINA This should be explained!
MASHA Yes, please tell the truth!
KATE I have suffered enough for you!
DARIA SEMENOVNA Did you marry my Mashenka?
KUBYRKINA Did you marry my Katenka?
DARIA SEMENOVNA I won't let you hurt my daughter.
KUBYRKINA And I will complain; My uncle is a senator.
KATE So why are you bulging your eyes?
MASHA What are you standing in your tracks for? Speak up, explain!
ZOLOTNIKOV(running out) Sasha, Sasha! Are you here? Sasha, we are gone!
Dead! Trouble happened! I'm bad!
ALEXANDER(with fear) Father! What happened to you?
ZOLOTNIKOV Bursted! Bursted!
ALEXANDER Who burst?
ZOLOTNIKOV Tambov.
ALL Tambov!
ALEXANDER What, an earthquake?
ZOLOTNIKOV That is, not Tambov, but the Tambov ransom, the pledges are all gone -
after all, two million was "all my fortune! Here is a letter received.
there was only one village left, and that one was under the hammer "Sasha! We have nothing more.
ALEXANDER Well, thank God! And I was so scared: I thought that with you
cholera has come! Well, why scream like that? You will not have money, but I
what, what am I on?
NASTYA(listening) Yes, he is a noble man!
MASHA Ah, poor Katerina Ivanovna!
KATE Ah, unfortunate Marya Petrovna!
KUBYRKINA I feel sorry for you, Vasily Petrovich, here! You can say"
unpleasant contraction.
KATE Kontrdans, mother.
KUBYRKINA Doesn't matter; you just have to humble yourself before Providence "your son
young; now he will settle down, as he marries Marya Petrovna.
DARIA SEMENOVNA No, your son wooed Katerina Ivanovna; I have her
I don’t beat off suitors - let them live happily.
ZOLOTNIKOV Yes, let me ask: who is marrying Sasha?
MASHA Of course not me!
KATE Yes, and not me!
ZOLOTNIKOV(to Nastya) Isn't it you?
ALEXANDER No, father, she refused me and the rich one! Let's get out of here
it's time to take up the mind, money made my head spin, such
went crazy in the head. Now you have to be human. What are you
you think I'm a blockhead, a chair, some kind of beast, I don't feel what I do to you
must? You worked your day for me, thank God, now mine
queue. I will provide for you, feed you, go to anything, to the store, to
day laborers, shoemakers, artisans, farm laborers, journalists,
writers! (to the audience) Gentlemen, does anyone have a seat? Without protection, you
you know, it's hard. Do not refuse, I will justify: honest, kind, devoted,
be satisfied! Well, let's go, father, let's be ourselves, and not an addition to
to your money. This lesson is worth all your wealth.
ZOLOTNIKOV Well, let's go.
NASTYA Wait a minute, Alexander Vasilievich, I'm to blame for you.
ALEXANDER You?
NASTYA I offended you just now, because I did not know your nobility
feelings.
ALEXANDER Do not speak, do not speak, otherwise the heart will go up again
bottom; I don't dare to marry now.
NASTYA And I can only now agree to your proposal; in my
a lot of pride and I feel that I can replace everything that you have lost. Here
you my hand.
ALEXAND R What do I hear? .. Nastenka "Nastasya pavlovna!
ZOLOTNIKOV My daughter! Hug me" Well, and you hug me, only in
last time.
KATE How touching!
KUBYRKINA That's stupidity!
DARIA SEMENOVNA Yes, tell me, Vasily Petrovich, how could this misfortune
happen to you?
ZOLOTNIKOV Yes, if you please, mother, it didn’t happen, but it could
just happen.
KUBYRKINA What does it mean?
ZOLOTNIKOV And this means that last year I gave up all
farming, and two million will go, so be it, Nastenka on pins.
Cunning, mother, sinful man! Here Sasha wanted to rescue his.
NASTYA So you fooled me?
DARIA SEMENOVNA It's out of hand!
MASHA Who is Nastya? After all, she did, she must have guessed.
KATE I knew everything in advance; However, I'm very happy!
KUBYRKINA It doesn't look like anything; we will not let ourselves be fooled; I have
uncle senator!
SERVANT the guests have arrived.
DARIA SEMENOVNA Let's go, Masha. There is nothing for us to do here. And you,
mother, congratulations, master! Repaid for my troubles! Got everyone through!
NASTYA I tricked everyone, "They really think" This is unbearable! No,
I'd rather say no.
ZOLOTNIKOV And who said that the word is sacred? No, if any sense
be afraid, and it will be impossible to live. No, let them say whatever they want, but we
a merry feast and for the wedding.
ALEXANDER Hurry, father!
ZOLOTNIKOV That's it! And you look at your wife, but knock the trifles out of your head, and
you will have joy and consolation, and not trouble from a tender heart.
ALEXAND R:
Having finished his adventures,
Now at this decisive hour,
I must ask for indulgence
For the writer and us.
We are afraid that we are tired
You console us, gentlemen,
So that the hearts of gentle trouble
The trouble did not come out really!
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It so happened that in the 20th century in Russia, beautiful religious holidays were removed from the lives of children: Easter, Christmas, Angel Day. Magnificently celebrate the birthday of a child or New Year considered indecent, and often impossible. Adults turned children's birthdays into family feasts. At the same time, the little heroes of the occasion, having sorted out the gifts, as a rule, were bored in the corner.
In the last 5-10 years, with the development of the service sector, interest has finally reappeared in organizing children's holiday leisure. Special agencies began to be created that could turn into fairy tale any event in a child's life: birthday, admission to first grade, or loss of the first milk tooth. Now you can invite professional animators, that is, specialists in organizing entertainment programs, to any holiday. However, those holidays that are created by the efforts of the parents themselves have no less, and possibly more, value.
Conventionally, children's animation, that is, entertainment, programs can be divided into character and fabulous. Character programs came to us from America, they are widely known from Hollywood films. For children, regardless of their age and number, an animator is invited - a clown (clowness), who entertains the assembled guests by making figurines from balloons, spends funny contests and shows tricks. In our country, instead of a clown, Snow White, Kolobok, Malvina or another bright character of well-known folk or literary tales can act.
The advantage of character programs is their cost-effectiveness, and the most significant drawback is that such programs are not suitable for kids under 4 years old, as well as for very large companies. One animator is physically incapable of giving sufficient attention to these children and even keeping track of them. Also, one animator, as a rule, has the same type of scenario, which does not imply a variety of events. Imagine how disappointed your child will be if it turns out that this particular clown spent the birthday of one of his friends with this program.
Of course, a fabulous entertainment program is best suited for children's holidays. Such a program is a theatrical show based on fairy tales. Several animators create intrigue at the beginning of the holiday: for example, a bag with gifts is stolen or one of the goodies is bewitched. Further, children become the most important participants in the fairy-tale events played out. It is the children who need to solve the problem in the process of games and competitions, help find the treasure or disenchant the princess.
In order to organize a fabulous program, you need to make some effort. If an animator based on the American system can perform without pre-training, having a number of typical games and contests in its arsenal, then a script is needed for a “fabulous” birthday. The script can take into account all the wishes of the guests and the individual characteristics of the birthday man. So, the smallest can arrange a holiday with Winnie the Pooh, invite an older girl to the ball of real princesses, and offer the boy pirate party or space adventures.
The fairy-tale program will become even more interesting if, within its framework, a puppet show is shown to children. The advantage of puppet shows is that, as a rule, they are all based on fairy tales known and loved by children. It is well known that a fairy tale touches the deepest layers of the human psyche and helps children learn fundamental human values. A puppet tale teaches a child to think, evaluate the actions of heroes, helps to learn ethical standards develops memory and speech. The rhythmic and melodious language of fairy tales, rich in repetitions and steady turns (“once upon a time”, “runaway bunny”, “sister fox”) creates an atmosphere of true magic.
It seems to many parents that it is impossible to organize a holiday on their own, it is necessary to invite professional animators, but this is not so. Who, if not loving parents, best of all know the dreams and characteristics of their child! If you have some free time and at least two friends or relatives who are ready to try on the roles of fairy-tale characters, you have everything you need to have a "fabulous" birthday.
How to make a child's birthday a truly memorable event?
First of all, you need to take into account the age of the child. It is best to celebrate the onset of the year and two years in the family circle. Remember that the most main character this day - a child, not relatives. Therefore, instead of bothering in the kitchen, make sure that the baby has a festive mood. Do not think that the child is too young to understand something. It is at this age that the child's brain eagerly absorbs any information, and any little thing will contribute to the intellectual development of the baby.
For the celebration of the first two birthdays, you should not organize noisy entertainment, as an overabundance of emotions, even positive ones, will tire the baby. Do not invite an animator - kids are often afraid of strangers. It is better if mother or grandmother acts as the host of the holiday. For the same reason, in no case do not wear masks and do not use stage make-up: the child may not recognize you and be scared. Show your child a simple puppet show based on a story they know. It can be "Kurochka Ryaba" or "Teremok". Play "Karavai" and arrange funny contests for relatives.
It is not necessary to invite child guests to the celebrations of the first two birthdays. Such kids, due to age characteristics, still do not know how to play together. If you do not want to devote the whole evening to separating the children who needed the same toy, call only the children of relatives, and even then no more than three.
If, thanks to kindergarten and developmental courses, your child is sociable and has experience of socialization, then already on his 3rd birthday you can organize a real entertainment program. You can invite animators to your home or wherever you plan to celebrate your birthday, or hold a theatrical celebration in a kindergarten.
Based own experience, for children 3-4 years old, I consider the program lasting 1-1.5 hours to be optimal. When choosing a script for a show program for a birthday boy, keep in mind that even intellectually overdeveloped children under the age of
4 years is more interesting if they are mostly passive participants. They can follow the clearly given instructions of the animator, but it is difficult for children to improvise and get used to a fairy tale plot, since they have not yet developed role-playing skills. The involvement of kids in the entertainment program is achieved by the fact that at key moments the animator asks them questions that need to be answered in order to help the hero, or encourages children to perform a strictly defined action with a minimal competitive bias.
If you invite animators from a specialized entertainment center or a club, pay attention to fia costumes, repertoire and even the gender of the animator. For children under 5, any role, even male - a clown or Santa Claus - should be played by a woman. Male actors do not always find a common language with kids, and children instantly feel the stiffness and unnaturalness of an adult. It is better if you are familiarized with the scenario of the holiday in advance, this will help to avoid unpleasant surprises.
Adults often do not know that most 3-4-year-old kids are afraid not only of Baba Yaga or Barmaley, but also of any clown. Put yourself in the place of a child: suddenly a loud-voiced Something in a bright suit, with a red nose and an unthinkable grimace on his face - either a mouth or a mouth - enters the room. Therefore, only kind and familiar characters should entertain children of 3-4 years old - the Good Fairy, Cinderella, Grandmother the storyteller or animals like Cat Kotofeevich or Lisa Patrikeevna. If you still want to invite a clowness, choose from photographs the one that will have a minimum of stage makeup.
Starting from the 4th birthday, some kind of intrigue can be included in the entertainment program: you need to disenchant the Snow Maiden or help find the stolen magic chest. How older child, the brighter and more complex the intricacies of the plot should be. At the age of 4, a child can already draw parallels between himself and a fairy-tale hero, make his own additions to the development of the storyline.
From the age of 5, children want to personally participate in events, so the entertainment program for children 5-8 years old can last longer - 1.5-2 hours, and for children 8-12 years old - 2.5 hours. The scenario, in turn, should be such that the birthday boy feels like a strong, self-confident little man, a winner in difficult situations. Such fabulous programs form a child's positive "I", help to realize their capabilities and find ways to realize them.
If 5-8 children gather at the holiday, then two animators should work with them, if there are more than 8 children, a third animator is needed. The older the children, the more animators it makes sense to invite, since the theater program for children should be full of characters with a bright personality.
In a program for children over 4 years old, it is already possible to use a negative character, but his role must be "balanced" by the role of a positive one. For example, Baba Yaga and Vasilisa the Wise or Barmaley and Cinderella are present at the festival at the same time. An animator representing a negative image (Baba Yaga) arranges all sorts of troubles within the framework of the holiday scenario, and an animator playing the role of a positive character (Vasilisa the Wise) helps children unite and show their abilities in the fight against evil.
Children over 4 years old like it when, in addition to adult animators, a child animator also participates in the program. Many theater studios now offer programs entirely based on the participation of a child actor: the Snow Maiden with an assistant Hare, the sensible Malvina and the unlucky Pinocchio, etc. By organizing an entertainment program at home, you can safely involve the older sister of the birthday boy or teenage nephew.
I note that for a program for children over 7 years old, any characters can be selected. Girls often want to see fairy princesses and fairies, and boys - pirates or robbers. I do not recommend to arrange a holiday with the participation of any superheroes. Firstly, children place excessive hopes on such characters, expecting that Batman will definitely take off, and Spider-Man will throw out a web. When it turns out that the animator does not know how to do this, the children are disappointed. Secondly, superhero birthday parties often end in a general riot, and children become almost uncontrollable by the end of the holiday.
Now regarding the choice of guests. Children 5-8 years old are most comfortable in the company of children close in age (plus or minus 2 years). Schoolchildren of 8-10 years old often invite a noisy company of classmates and friends around the yard to a holiday. Try to limit the number of guests to 10-12, with a maximum of 15 children. As experience shows, purely “boyish” birthdays are possible only if the number of children at the celebration, together with the birthday person, does not exceed 5 people. Otherwise, any game ends with a clarification of who is stronger or a struggle of "superheroes".
Scenario of the play "The tale is a lie, but there is a hint in it, a lesson for good fellows!"
Artists enter:1. Fairy tale lie,
yes there is a hint in it -
good fellows - a lesson.
2. Let there be many hints in the fairy tale,
Don't judge her harshly.
3. A fairy tale teaches all people
Be wiser and kinder.
4. A fairy tale is not a deception, but a mystery,
Don't mess up by accident.
5. A fairy tale is a storehouse, a clear light,
An answer to any question.
6. Good fellow, come on,
Open the book of fairy tales!
7. You will enjoy
For this magical reading!
They go backstage to their seats.
Song "Alyonushka"
Buffoons appear:
1. As in the village of Amanita
Fences bloom in spring
And if where the log lies,
It will grow into a hut.
There are enough miracles for everything -
The garden is digging itself
And at once a hundred buckets
Carries water with a sieve.
2. Thieves steal garbage there ...
But where are those Amanitas?
Look for them on the map
What a bug to carry by the tail.
And we easily
There is not even a nickel.
3. You enter the village
Look at the goose!
Two geese
Fable dramatizationPerformance duration: 2 minutes; number of actors: from 2 to 5.
Characters:
First Goose
Second Goose
Pig
Cat
Crow
In the foreground on the left and right are bushes and trees. In the background is the sky. The Crow flies and sits on a tree.
Crow (to the audience)
Once a path along the edge
There were two geese - two girlfriends.
The crow flies away. First Goose and Second Goose come out from behind the trees.
Geese (sing in chorus)
Lived with grandma
Two cheerful geese -
One is grey, the other is white
Two cheerful geese…
Towards the geese, a Pig comes out from behind the trees.
Pig
Hook-hook - you!
First Goose
And you - Ha-ha!
The Second Goose (feignedly friendly)
Hello dear friend!
First Goose (feignedly friendly)
Oh, how glad we are to see you!
Second Goose
You are the joy of the heart and eyes!
First Goose
Gorgeous! Uma mountain!
Second Goose
Queen of the Animal Farm!
Pig (moved)
I'm so glad to hear this!
There is no better you in the whole world!
The pig embraces and kisses the geese and dances away behind the trees.
First Goose (with contempt)
What a nightmare!
Second Goose (with contempt)
What a horror!
First Goose
Now I can't sleep for three nights!
Second Goose
How to live with such an image,
It's better to have a basket on your shoulders!
First Goose
The pig is fat!
Second Goose
The pig is dirty!
First Goose
She is the dumbest of all in the village!
Second Goose
The sea will not wash this!
First Goose
And it smells like a bucket of slop!
A cat comes out from behind the trees towards the geese.
Cat
Mur-mur - to you!
First Goose (feigned affectionately)
And you - Ha-ha!
Second Goose (feigned affectionately)
Hello dear friend!
First Goose
Oh, how glad we are to see you!
Second Goose
You are the joy of the heart and eyes!
First Goose
And how graceful!
Second Goose
How slim!
First Goose
And the wool is so smooth, long!
Second Goose
Ah, what a ponytail!
First Goose
What legs!
cat (coquettishly)
Purr purr! You flatter me a little!
second goose
No, not at all!
First Goose
Not at all!
Cat
Love you!
The cat hugs and kisses the geese, and then, dancing, hides behind the trees.
Second Goose (with contempt)
It's just creepy!
That's a flea freak!
First Goose (with contempt)
And the tail is shabby, like a brush!
Second Goose
Stara!
First Goose
Curve!
Second Goose
Chrome!
First Goose
Skinny!
Second Goose
And the colors of rotten borscht!
Geese (sing in chorus)
Lived with grandma
Two cheerful geese -
One is grey, the other is white
Two cheerful geese…
The geese, singing a song, walk across the stage.
First Goose
It's time for us to say goodbye!
Second Goose
It was nice to chat!
First Goose
Yes, you are like a sister to me,
Smart and sharp on the tongue!
Second Goose
And you, my friend, are lovely.
You are my doppelgänger, to be honest.
I love you, but
You have to say goodbye anyway.
The geese kiss and hug. The second Goose hides behind the trees. First Goose waves after her.
First Goose (to the audience)
This goose is a fool!
No smart thoughts, no figure!
And how chatty, just horror -
Bored me all the way!
The first goose goes in the opposite direction.
First Goose (singing)
Lived with grandma
Two cheerful geese -
One is grey, the other is white
Two cheerful geese…
The First Goose hides behind the trees. A Crow flies onto the stage from a tree.
Crow (to the audience)
Alas, there are people too
They are very similar to those geese:
In the eyes of their speech, like honey,
And behind the eyes - solid litter.
The crow flies away.
Song "Fair"
buffoons: 1. Like in the village all day
Shit happens!
2. Horses fly in the sky!
The cats are barking on the fence!
How a cat became a dog
Fable dramatization
Performance duration: 2 minutes; number of actors: from 1 to 5.Characters:
Cat
Magpie
Master
Dog
Narrator
On the stage, on the left and right, there are two houses with porches.
Narrator
The cat was dissatisfied with his feeding,
Became lazy, and was fired for that.
The door of the house on the left creaks open. A cat flies out of it head over heels with a loud meow. After him, his bundle with things is thrown out.
Cat (grouchily)
Think! Not a great honor
Serve all day, but do not eat enough!
With my talent and willingness to work
I'd better find a job.
I just need a chance.
From behind the house, a Magpie-postman flies out with a newspaper and flies past the Cat. The cat takes the newspaper and opens it.
cat (joyfully)
And here he is!
(reads in syllables)
Need a dog… Address… Phone…
Feeding twice a day… housing…
(with enthusiasm)
However!
I'm going to work as a dog.
With my mind and with such a mustache
I'm much better than any dog!
The cat takes the bundle, goes to the porch of the house on the right and knocks on the door. The owner opens it for him.
Cat
I came to be hired by an ad.
Owner (surprised)
But you are a cat!
Cat
Much to my regret!
I was born a cat, not my fault.
I really need this job.
I can do it for sure, just give me time!
So am I hired?
Master
No! Pour first.
Cat
Why bark? It's clear, and so
That any fool can bark.
Yes, I have a lot of talents:
I can roll balls, play with a bow,
I can purr and catch mice
I can pump and nurse babies.
I can also climb a tree.
How can a dog compete with me?
I'm much better, trust me...
Dog appears with a newspaper and goes to the porch.
Dog
Woof! Woof!
Owner (Psu)
You suit me perfectly!
Your job!
Narrator
Protect the house from a thief
The dog was hired without further ado.
And the cat was left on the porch with nothing.
The dog enters the house. The owner closes the door in front of the cat.
Cat (angrily)
Why does he need a dog? Well, why?
The owner looks out the window.
Master
Then, that you do not own the skill -
Though everyone is good, but you don’t know how to bark.
Narrator
This is how it happens: sometimes people
Looking for a job for years
Not understanding what's at work
Skill is not the same as hunting.
Song "Porushka Paranya"
buffoons: 1. Like a wedding in our village!
The bear is getting married!
2. And the bride is a fox!
Let's see the wedding!
Bear and Fox
(or How the Bear wooed the Fox)
Russian folk tale for reading and presenting
Performance duration: 3 minutes; number of actors: from 1 to 3.Characters:
Bear
Fox
Narrator
Narrator
Lived in the neighborhood
And they've known each other since childhood.
Brown bear and fox
Forests of local beauty.
One is not good enough to live
And the Bear decided to marry.
Everyone advised
Woo go to the fox.
Bear
Knock-Knock! fox girl,
The Bear is knocking at your house.
Will you marry me?
Fox
Well Bear! Wow!
I won't go for you
I'd better find a husband.
Look at your paws
Short and clubfoot,
Wool is like a felt boot, and you
Not the hero of my dreams!
Bear
Well, okay! Well, let!
Marry another fox!
Narrator
And the Bear went home.
And the fox:
Fox
Oh my god!
For good reason I so! rich bear -
He rows honey with a shovel.
Stop toiling alone
I will become his wife.
Narrator
And the fox went to the bear.
Fox
Knock-Knock!
Bear
Who's there?
Fox
Neighbours.
I refused in vain
I agree to get married!
Bear
Should I marry you?
Am I my own enemy?
You are a red fox
Redhead - shameless!
And I heard from the mole
You are unclean!
Get out!
Fox
Here are the words
I will marry someone else!
I'm leaving forever!
Narrator
Sobbed with shame
And the fox went home.
A Bear:
Bear
Here is the hysteria!
But it seems that she is in me
Very much in love!
In vain I got so excited
I almost married her
'Cause she's a beauty
And everyone loves the forest.
What the fuck am I waiting for?
I'm going to get married again!
Narrator
And the Bear went to the fox.
Bear
Knock-Knock! Who is home?
Fox
All!
Bear
That's what, dear fox,
I decided to get married again!
You marry me!
Fox
Get out of here! Leave!
Well, why are you standing there?
You'll see, even a mouse
It won't work for this
Find a better groom!
Bear
I am with you with all my heart...
Fox
Yes, a small gift!
Leave!
Bear
Well, I'll leave
I'm going to marry a mouse!
Fox
The mouse will be happy!
Bear
You will spend your whole life in girls!
Narrator
And the Bear left with nothing.
And the fox is all alone.
Fox
What have I done?
The most important thing in life is family!
But Mishenka is handsome,
At least a little thick-skinned.
Where can I find this?
I better go for it!
Narrator
And she came - the Bear does not want,
Shakes his head again
And fox him for it
Pays with the same coin
After tears pours into the pillow.
This is how they marry each other!
buffoons: 1. A beautiful chicken lived with me.
Ah, what a smart chicken she was!
She sewed me caftans, sewed boots,
Sweet, ruddy baked pies for me.
2. And when he manages, he will sit at the gate -
Tell a story, sing a song.
Dance "Bird Yard"
Three klush
Fable dramatization
Performance duration: 5 minutes; number of actors: from 2 to 8.Characters:
First Hen
Second Hen
Third Hen
chickens
Cat
Boy
Rooster
Narrator
In the foreground on the right is a fence and a sprawling pear, in the middle is a fence with a torn board, on the left is a bush. In the background is a garden.
Narrator
On a hot day under a fence near a pear
Young chicks sat side by side.
Three hens with chickens come out from behind the right wings to the music. Hens sedately sit down under a tree, and chickens begin to play near them. During the conversation of the chickens, they indulge and move further and further away from them.
Narrator
As long as them chickens in the yard
Played on the trampled grass
They, without annoying fidgets,
Gradually they were talking to each other.
First Chicken (enthusiastically)
Oh, how good our crumbs are!
Second Hen (with affection)
Beautiful, at least write a picture with them!
Chickens at this time indulge and offend each other, but mothers do not pay attention to this.
Third Hen (proudly)
Yes, everything is with them - both mind and upbringing!
Not like those obnoxious creatures
That other mothers will be born,
Which just to feed soon
And fly away from the nest in the same minute.
First Hen (contritely)
I think orphanhood is hardly worse!
And then there is no need to be surprised,
That half was eaten by a cat
And the one that unfortunately survived,
Steals and wanders around doing nothing.
I can't wait for winter to come
And chase them away.
Second Hen
You are right, motherfucker!
From their neighborhood we have one loss!
First Hen (sympathetically)
Poor things! After maternal torture
Don't expect any good from them!
Third Hen (grumpily)
I think it's time to pass the law
What if the mother went somewhere,
Remove the chicks and hand them over to the incubator,
Eradicate the vice and evil of nature
And raise exemplary chickens out of them!
Second Hen (contemptuously)
They still do not become like our children -
There are few talents.
Third Hen (arrogantly)
Yes, not for everyone
Fly, like us, through life high.
First Hen
But at least they can say: “Ko-ko!”.
For them, and this, believe me, is not enough!
Narrator
While this trinity chatted,
Their chickens, walking around the yard,
Found a hole in the fence
And got out.
The chickens move through the hole in the fence to the left half of the scene. The chickens don't care.
Narrator
One got caught by a cat.
A cat runs out from behind a bush, says “Meow!”, grabs a squeaking chicken and drags it off the stage.
Narrator
Another drown in the spring on the path.
There is a gurgle and the second chicken disappears.
Narrator
Shot down a third passing tarantass.
There is a roar, neighing, a horse harnessed to a tarantass rushes past the chickens, and the third chicken disappears.
Narrator
The fourth fought with the fifth - pecked in the eye.
The two chickens fight desperately and run into the bushes.
Narrator
The rest were driven back by the children.
A boy with a stick runs out from behind a bush, he chases the squeaking chickens and drives them back into the yard.
Narrator
Of the klush, no one noticed the loss,
While the cock who learned about the trouble
Of all three, I did not pluck all the fluff.
A Rooster appears on the fence, crows loudly, flies down and, with an indignant cackle, chases chickens around the stage and pecks them. Chickens rush about, fluff and feathers fly.
Rooster (angrily)
There you are! So that the tails are not wiped in vain,
And the children were supervised!
Narrator
And sometimes people have
Such an adventure with kids.
So that the children of others grow up no worse,
Not chatter - looking after them is needed.
All the actors come out
1. Why do we need fairy tales?
What is a person looking for in them?
2. Maybe kindness and affection.
Maybe yesterday's snow.
3. In a fairy tale, joy wins,
The story teaches us to love.
4. In a fairy tale, animals come to life,
They start talking.
5. In a fairy tale, everything is honest:
Both the beginning and the end.
6. A brave prince leads a princess
Definitely down the aisle.
7. Snow White and the Mermaid,
Old dwarf, good dwarf -
8. It's a pity to leave us a fairy tale,
What a cozy sweet home.
9. Read fairy tales to children!
Teach them to love.
10. Maybe in this world
It will make life easier for people.
Sketches for children as home leisure are always interesting, useful, creative. prepared as role-playing games, dramatization of fairy tales, life stories, riddles develop artistry in children, provide an outlet for emotions. Participation in the preparation and conduct of skits involves the children in the creative process and strengthens self-confidence. In addition, the staging and participation of children in skits - The best way show independence. Yes, and joint creative work children and parents over the production - the best activity for a friendly family.
The benefits of funny scenes for children
1. Best proven in home use humorous scenes on different topics. They are popular with children, as they do not oblige to such a manifestation of acting skills, as, for example, in a mini-play. The desire to play a funny miniature to make the viewer laugh will reveal all the hidden talents of the child. In addition, funny scenes for children will help:
- get rid of fears and shyness;
- develop memory;
- express emotions;
- increase self-esteem;
- show a creative approach to the design and execution of the scene.
2. Children are more willing to take on scenes related to their daily life and habits, for example, comic meeting with a friend; what can happen to a candy lover; how a child behaves when he is late everywhere or constantly loses something. Such dramatizations help the children to look at their qualities from the outside. In addition, even without special artistic abilities, a short funny miniature can be shown to guests during the holiday and invited to participate.
3. 
Ideal for children preschool age short scenes imitating the life and habits of animals that kids love and know well (cats, dogs, tiger cubs, monkeys). Preschoolers with plasticity and spontaneity will easily portray their favorite characters. Such an action expands the knowledge of preschoolers about the world around them.
How to prepare funny scenes at home
Few parents use this kind of creativity in home education, but absolutely everyone loves it when their children perform in kindergarten on holidays. However, in order for the performance to be always a pleasant event for both the baby and the adult, it is necessary to teach the child to perform. For this purpose, skits for children are great. Where to start for parents who would like to make small theater plays on weekends for the whole family a home tradition.
- The main thing is to ensure the participation of the child in preparing for the performance. You should come up with costumes and props, write a script, choose a place for the skit together with your son or daughter.
- You can pick up the text of words on the Internet, a book with scripts, or come up with your own. The best indicator of proper preparation will be the lack of imposition of ideas or coercion to perform a particular task.
- When showing a scene at home, the responsibility to “ignite” the child with creativity falls entirely on the parents. It is recommended to start with joint dramatizations in which children and parents participate.
- A good help for the development of creative abilities will be games, including role-playing ones.
- After the children master the presentation skills, they gradually move on to the performance of small artists without the participation of their parents.
In order to prepare for the presentation, participants must:
- learn words;
- pronounce them as expressively as possible;
- use gestures and facial expressions;
- do 1-2 rehearsals.
When preparing a scene, parents need to:
- Choose a topic so that the child is sure that he chose it.
- Prepare props with your child.
- Learn words together.
- Show a role model to follow.
- Show restraint and patience if the child fails to portray the character the first time.
The interest and desire of children and parents to participate in fun funny scenes- a guarantee of successful performance in front of the audience.
Types of funny scenes
It is easy to turn into a funny dramatization:
- Fairy tales, fables, stories remade in a modern way. Ideally for home dramatizations, funny works are suitable, in which the plot develops quickly and there is a dialogue of characters. These can be both folk and author's tales and stories, for example, I. Krylov's "Monkey and Glasses", "Dragonfly and Ant", K. Chukovsky "Fly-Tsokotuha", "Cockroach", "Telephone"; S. Marshak "Three Little Pigs", "Luggage", "That's how absent-minded ..."; A. Tolstoy "Wolf and kids"; N. Nosova "Mishkina porridge", "Live hat"; G. Oster " Bad advice"and many others. It all depends on the creativity and interest of the parents, who will be able to adapt the text of the work to the family events and habits of the child.
- Mixed fairy tales (mix from different texts). For example, based on the well-known: "Gingerbread Man", "Little Red Riding Hood", "The Wolf and the Seven Kids", "A Boy with a Thumb". The staging can be the actions of the heroes of different fairy tales, united by one plot. Impromptu is successfully used in such a scene, adults begin to improvise, and children continue.
- Funny scenes from everyday life.
Children look very funny in the role of adults. Preschoolers, in turn, like to copy adults and imitate them. You can switch family roles and improvise funny home stories: a trip to the country, a trip to the zoo, meeting your grandmother, mom's cosmetics. Here, for example, is how scenes are played out in kindergarten that allow adults to look at the upbringing of their children from the outside.
- Funny songs, ditties, poems. The verses of E. Uspensky, G. Oster, A. Barto, B. Zakhoder are played well. For example, these:
B. Zakhoder
We got a mischief-maker.
The whole family is grieving.
In the apartment from his pranks
Literally no life!
O. Matytsina
The cat ate sausages in the morning,
An hour later, again at the bowl:
- Meow meow! - I hear again
- I'd like some meat!
- You will burst, dear cat!
Or ditties:
In the morning, mother, our Mila
Gave me two candies.
I barely had time to give
And then she ate them herself.
The grandfather taught the letter to the mouse,
And then the scribbles came out.
The mouse got a deuce.
And both wept bitterly.
I taught my sister Masha:
“You need to eat porridge with a spoon!”
Eh! In vain taught -
Got it in the forehead with a spoon.
- The plot for the scene can be a story from Yeralash or your favorite cartoon.
Examples of comic scenes for children 5-7 years old
When choosing a scene for a child, you need to consider his age. The younger the preschooler, the shorter it should be. Experts consider the age of 5-7 years to be ideal for theatrical activity. In addition to age, consider personal qualities children. If the baby is shy, it may not be possible to immediately play the leading role. You should start by choosing a role according to temperament and abilities. Then they gradually move on to more complex roles and miniatures.
"Alone at home"
comic miniature
To prepare scenes of this kind, it is good to use "Bad Advice" by Grigory Oster or impromptu on this topic. The props for this scene can be a small table covered with a tablecloth to the floor. Below it are the necessary items, which, during the show, from their side of the table, the participants take out and put on the table. If possible - use old things for props, it is recommended to "cook the dish" for real.
1st: If you stayed at home
Alone without parents
2nd: I can offer you
An interesting game.
1st: Titled "The Bold Chef"
Or The Brave Cook.
2nd: The essence of the game is cooking
All kinds of delicious food.
1st: Suggest to start
Here is such a simple recipe:
2nd: Need in daddy's shoes (takes out from under the table and puts on the table)
Pour out mother's perfume (takes out a bottle from under the table and puts it on the table),
1st: And then these shoes
Lubricate with shaving cream (takes out a tube and puts it next to it),
2nd: And, pouring them with fish oil (takes out a large vial with a sticker, puts it)
With black ink in half (shows a bottle of ink / a jar of gouache, puts it next to it),
1st: Throw in the soup that mom
I cooked it in the morning (they take out the pan, put it on the table).
2nd: And cook with the lid closed
Roughly seventy minutes.
Both members in chorus: What happens, you know,
When the adults arrive.
Fable by I. Krylov "The Crow and the Fox"
Theatrical play
It is performed in two persons, the text of the words, as in the original. You can add humorous notes to the fox and crow costumes. For example, a fox can be represented as a forest robber. At the end of the fable, in response to the request of the fox to sing, the crow takes the cheese out of its beak and says: “I sing with dignity in baritone and falsetto at the Bolshoi Theater. This is not the place for a concert."
Scene "Morning porridge"
Miniature that children can play different ages together with parents
Mom as a daughter, sitting at the table. Son / daughter in the role of mother in an apron.
Requisites: porridge in a plate, spoon.
Daughter: What's for breakfast? Porridge again?
Mother A: Yes, useful Hercules.
Daughter: I won't eat it.
Mother: Porridge gives strength! Quickly fill your mouth with it!
Daughter: Give me a better sandwich!
Mother: Well, come on, a spoonful. (Gives porridge from a spoon into his mouth). This is to be strong. (The daughter sits with her mouth inflated, does not swallow porridge, shakes her head). To be beautiful! (She swallows. The daughter does not allow the next spoon to be put in her mouth, she does not open her mouth, she shakes her head. Cheeks and mouth get dirty with porridge).
Daughter: Tired of porridge! (Mom quickly puts the spoon in her mouth).
Mother: Smart and happy! (Opens mouth, swallows). And as soon as you chew the porridge, you will immediately go to the street.
The daughter swallows the porridge and runs away.
Mother: Oh, these persuasions, because of the porridge, disputes, quarrels (Wipes his forehead, shakes his head). So many forces must be killed to feed a child.
"Grandmothers at the entrance"
Dramatization for older preschoolers. The scene will turn out more interesting if the grandmothers in headscarves are portrayed by two boys or dad and son.
1st grandmother: Ah, Semyonovna, grandchildren are already going to school!
2nd grandmother: Oh, Fedotovna, already the first class! Enough business for us now!
1st: Oh, it's scary, suddenly someone will offend them! None of the adults will see ...
2nd: And we will protect them and not give offense. We will take them to school and carry their briefcases!
1st: In order for our grandchildren to study well, we need to work hard.
2nd: Enroll in a sports hall and do fitness building.
1st: Buy a computer, study, and then learn how to teach.
2nd: Drive a car and roller-skate, and not get bored and grab your heart.
1st: Oh, the grandchildren grow up quickly, you look and the institute!
2nd: Come on, Fedotovna, get ready for school.
Get up from the bench and chorus read:
Lukomorye has a green maple,
An omelet hangs on a maple tree.
Day and night dog scientist
Sits and guards the maple.
"About foreign languages"
A miniature can be imagined as a theatrical game for younger preschoolers. To do this, you need to choose the appropriate Stuffed Toys for which the children will speak.
Kitty: Meow meow! This is ma-ma.
Puppy: You read it wrong. Wow wow is written here. It's definitely ma-ma.
Piglet: I'll read it alphabetically. It says oink-oink. It means ma-ma.
All members in chorus: All power in foreign languages!
In this way, you can play comic skits from cartoons. If adults teach a child how to drive a toy and speak for it, such short miniatures will become a favorite game for children.
"I do not want to study"
Dramatization for older preschoolers who are going to go to school.
Vova: If I were a minister,
I would close all schools.
And to all the children instead of school
Allowed to play on the computer
Riding a hoverboard
Or do nothing.
Play, walk and have fun
And there is no need to go to school.
(He sits on a chair, plays on the phone. A fairy with a magic wand appears imperceptibly to the side. Vova does not see her. He props his head with his hand, falls asleep).
Fairy: I'm a fairy and the wishes of preschoolers
In honor of the holiday, I will easily perform.
Kol Vova wants to be a minister
He will be. (waves wand) One! Two!
(The fairy leaves. The king runs out in anger).
King: Where is the minister? (Vova wakes up screaming)
We have a war here! The hordes are coming here!
How to repel an attack? How to protect the kingdom?
Vova(surprised): Am I a minister? That's it!
So what, what a war!
There are tanks, planes and we are not afraid of war!
King: We don't have that! It must be built! (Throws her hands)
We need to count the troops, put them clearly in their places!
Check gold reserves
Distribute the costs, otherwise bankruptcy awaits us!
Vova confused: I'm not a minister, I'm just Vova.
I still can't read or count.
King: Well, do you go to school?
Vova: No, I closed schools ... when I was still a minister.
The king runs away: Save yourself! Let's run!
Vova A: But I really want to learn. I will never be lazy!
I will read books, solve difficult problems!
All participants appear in front of the audience.
Chorus: Everyone needs schools!
Knowledge is always important!
"Magic Paw"
Theatrical play
You can sew a “magic paw” for such a game yourself. She looks like a rag doll on her hand. In the absence of the ability to sew, the “magic paw” is imitated with the help of an ordinary hand according to fantasy. The essence of the miniature is in the magical transformation of the owner of such a paw. From timid to determined, from small to big and vice versa. The paw can serve as an assistant and adviser, ask questions and ask for something. The role of the “magic paw” is played by parents together with the child in ordinary everyday situations.
The listed examples can be diluted with improvisation and adapted to each specific child and specific case.
A performance in front of the audience, even if it is grandparents, always causes excitement for the participants and organizers. Some useful tips which will help to conduct a skit so that everyone is satisfied.
- Everyone is in a good festive mood - the actors are less excited.
- If the child has forgotten the text, it is necessary to prompt in a whisper.
- In case of unsuccessful handling of props, help is needed.
- The audience should clap, cheer the participants in the scene with laughter.
- At the end of the miniature - applause, and better prizes.
- Adult support from the beginning to the end of the entire creative process consolidates success and stimulates further creativity.